debut record of collaborative project between multi-instrumentalists acronym & kali malone. an ep recorded using buchla 200 series modular synthesizer as the foundation. deep, electronic, just intonation, rhythmically-driven music.

incl loco dice & priku remixes

more than anything, pablo’s eye is a temporary atmosphere, like a taste or a dream. this is the last release in the trilogy.

new knekelhuis output on 10 inch

strong jazz and cosmic flavoured space funk by admiral

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies – this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

hot on the heels of rapid eye movement’s journey of discovery and growth comes the ep “split: remixes” featuring reworks of the quartet of cuts originally signed by label founders memorial home and vii circle.
invited to apply their own reflections onto the material are rising producers nur jaber and wrong assessment as well as renowned artists on the underground experimental scene edit select and reggy van oers.

i am really proud to present this 3-tracker by victor ruiz on noir music. i think he is one of the best and most flawless techno producers right now and together we have carefully picked three tracks which perfectly showcases his production skills. i often write how i’ve worked with the artists on my labels to make their tracks reach their best potential. with victor i feel everything has been served to me on a silver platter as his productions are already perfectly crafted. although victor changed details right up until last minute, some of thesetracks also dates back 2 years, so he has had plenty of time to make everything sit and sound right. after a nine month break from releasing originals i feel truely honored that victor has chosen noir music as the label for this venture. both victor and i feel these three tracks compliment each other and at the same time showcase his skills to make great, diverse music. check the entire release. the music will speak for itself.

additional 12- with previously unreleased material from pablos eye. six tracker bardo for pablo ventures deep into the tribal side of axel libeert. right on time for all your summer dance gatherings. bardo is the state of existence intermediate between two lives on earth. it is an intermediate, transitional, or liminal state between death and rebirth.

2lp comes in gatefold! follow up to a blink of an eye (rblp06/cd06) + i ve got my eye on you (dfa). written and produced by maurice fulton!

with the split ep, the fourth release of their own label rapid eye movement, memorial home and vii circle head the way with two original cuts both and sign another stunning dark and hypnotic techno odyssey with a strong emotional pattern.

ayuune sule brings the soul into kologo power. in kumasi, the second city of ghana and capitol of the ashanti region, ayuune sule is the main kologo star. the most famous kologo player these days in the whole of ghana and abroad is king ayisoba. together with king ayisoba, guy one, atongo zimba and sambo, he represents the generation that broke kologo music outside of the north east region of ghana. in europe we know ayuune sule as a member of king ayisoba’s band and as a solo artist who often opens up for his shows.

2023 repress - pablos eye is the science of studio pressure, when engineer becomes artist. appropriating left and right as well as front and back, pablos eye uses the mixing desk to examine and exhaust the possibilities of moments. pablos eye is a record of that examination and exhaustion, but it is also a record of its own inner space. by means of depth placement, psychoacoustics and spatial fug, pablo’s eye is experienced in the deeper reaches of the body, bypassing the conscious part of the mind entirely. . pablos eye is the turning of recorded music inside out to show its seams. it interrogates a song, stripping down the body of the song to reveal its bones. pablo’s eye is in the interstices of music, it plugs the gaps, fills the holes. pablo’s eye seeks out the concealed mechanisms, it is a songs hidden agenda. for this compilation, it was decided to present the softer air-beatings of pablos eye. more than anything, pablos eye is a temporary atmosphere, like a taste or a dream.

for its third release, rapid eye movement conveys various artists to propose another stunning odyssey into the fields of forward-thinking deep and dark techno.

strong olod skool electro sounds

das 2010er album erstmalig auf vinyl erhältlich. beide editionen als 180g pressung, eine in schwarz, die andere in türkiser farbe. dreadzone entstanden ursprünglich aus mitgliedern von big audio dynamite und screaming target. hier formierten gründungsmitglied greg dread, bassist leo williams, mc spee, sänger earl 16, gitarrist chris compton und chris oldfield an keyboards und effekten das ensemble.

das 2010er album erstmalig auf vinyl erhältlich. beide editionen als 180g pressung, eine in schwarz, die andere in türkiser farbe. dreadzone entstanden ursprünglich aus mitgliedern von big audio dynamite und screaming target. hier formierten gründungsmitglied greg dread, bassist leo williams, mc spee, sänger earl 16, gitarrist chris compton und chris oldfield an keyboards und effekten das ensemble.

phat bassheavy dubstep dbl header

stealth mission returns with another four track of weighty, warehouse grooves from naked eye people, k alexi shelby (with a ben sims edit), scott franka and the mysterious barrow boy.

for the second release of their own imprint -rapid eye movement-, memorial home heads the way and signs an opus chock-full of profoundly personal character, high sensitivity and forceful refinement. the ep features three original tracks and two remixes composed by kas:st and awb. properly titled -somewhere-, it is driven by an aesthetic quest for the essence of musical creation, when it becomes a channel of connection with the deepest self or intimate soul.

ltd to 500 .... phat industrial / ambient / noise / ebm influenced

the 1982 album from the alan parsons project back on 180 gram vinyl.

eye contact’, ocean wisdom’s latest single after 18 months since the release of his debut smash lp ‘chaos 93’ which left a massive dent in the scene. ‘eye contact’, showcases his talents like never before, as he seems to even surpass the levels demonstrated in his 2015 breakthrough debut single ‘walkin’. this is the first single from his highly anticipated follow up album wizville set to drop early 2018!
this limited edition hand numbered 7” single comes with eye contact produced by kidkanevil on the a side and an exclusive vinyl only remix of ‘eye contact’ by strange u’s dr. zygote. this record is limited to 500 copies, once they are gone, they are gone!

time for something a little different from public release.
eye o is the convergence of a few bay area stalwarts—kevin woodruff, formerly of tussle, and jason schwartz - and “deux o & debut” is their first studio-recorded public offering. the five-track, fifty-minute- long lp is a weaving journey through a pastiche of styles that’re all nephews, cousins, brothers, sisters of one another. kraut-rooted motorik drums reconfigure into more complicated math-y patterns, razor-sharp dance-punk guitars stretch out and dissolve into dubby post-rock atmospherics, synth loops you’d more commonly find in house tracks get grafted onto fuzzy psychedelic breakdowns, hard rock licks lock into chunky industrial grooves.
less for dancefloor destruction and more for trippy weekenders, the instrumental record manages to both be a focused, cerebral, conceptual hunk of fat to chew on and a spaced-out, intuitive ride through the cosmos. for use during those off-kilter small hours of the night just as much as it is vision quests and introspective weekends. it’s rare that an outpouring of so much can feel so simple and sublime.

dana ruh’s brouqade has long been renowned for its many eclectic and unpredictable sounds. in that essence, the label’s latest signing is a fitting fit. kamran sadeghi is an nyc based electronic music producer who is well versed in unconventional soundscapes. as likely to release an electronic music ep as he is turn his hand to film scores or more ambient textures, sadeghi has collaborated with everyone from patti smith to berlin club, berghain. a live artist of considerable depth and panache, his signing to brouqade marks another high point in the label’s story.

the obscure sister of wandering eye. strictly limited musical oddities with no artist or title.

reissue of boney m’s 1985 album, high-resolution mastering from the original source.

intense drum arrangements, distorted bass lines and warm synth melodies mark the aesthetic of foreign’s debut ep on eye for an eye recordings. unlike the producer’s previous techno-oriented releases on cologne based baroc, “redemption” reveals a punk approach regarding his ways of crafting music. from the non-conformist “ignorance amongst us”, to the hopeful “hope” theme, “redemption” is a non-spoken manifest to a society on the verge of collapse.

for its first release, rapid eye movement gives voice to vii circle who sign with “archetype” an inaugural powerful and exquisitely crafted ep for the imprint. the ep, to be issued in october 2017 in both vinyl and digital versions, features three original tracks as well as remixes composed by no less than dutch techno wizard keith carnal and belgian arising talent farrago.

panoram, the elusive mediterranean producer famous for his “everyone is a door” on firecracker and “a doom with a view” on origin peoples, now returns with a long awaited ep for his own wandering eye imprint.
the palette here on “the question” is an illustrative sound collage that leaves its listener adrift through unexplored musical territories. nocturnal atmospheres dimly lit by minimal, detuned melodies are complimented by sensual, synthetic whispers from a parallel dimension. this collection of songs serves as a manifesto to panoram’s mysteriously hypnotic, oftentimes doom-ridden allure.

grey report welcomes breakthrough producer w.i.r.e. who has released several strong eps on mord records and his own w.i.r.e. imprint. effective and mind blowing techno.

ilario alicante deliver his first ep on virgo including a special remix from the glasgow duo slam. the eye of virgo represents the perfect balance between driving and idm techno. already hammered by sven väth, adam beyer, rodhad and many more..this is ready to become another great record.

if music will have been made to announce the retrieval of lost futures, the initiation of why the eye might be said to have incepted some of its timbres. lp + insert + download voucher.

the return of rome based acew label with 2 tracks involved in minimalist, electro with an idm touch. vocals from carl finlow.

this is the fifth release on eye teeth, the techno sublabel of interdimensional transmissions, by it compatriot alstadt echo. alstadt echo effortlessly blends the avant garde with industrial techno influences into his own deeply austere sound, with grainy textures contrasting perfectly against his broken beat structures. the influences are clear, he has even been honored by one - with multiple tunes included on regis the boys are here mix tape. alstadt echo also runs his own detroit imprint known as modern cathedrals, an ode to the concept of cathedrals of sound, the place where this music belongs.

third ep from this great new label from freerotation festival organiser and modular synth expert steevio features excellent remix from label owners cleer consortium

five prolific electronic soul tracks melodic techno by the abstract eye, better known as gifted and blessed. originally released on valentine connexion in 2011, now available again in a shiny new jacket. big! tip! with a fixation for vintage electronic instruments, the extraordinarily gifted gabriel reyes-whittaker creates striking electronic songs under many monikers, integrating the technological with the spiritual and ancestral in his music.

limited edition of 250 copies, 1 grey & 1 black vinyl plus 12 page art book in a copper foil box.
toydrum are a duo who sneak into the consciousness. not for them the full frontal assault but, instead, a drip-feed of classy work that many may know without knowing. their hugely acclaimed work with the late singer-songwriter gavin clark lit up shane meadows’ ‘this is england ‘90’, their rework of john lennon’s ‘how do you sleep’ led noel gallagher to have them remix his high flying birds hit ‘in the heat of the moment’ (which, in turn, soundtracked last year’s epic ad for the latest ‘assassin’s creed’ game), and their soundtracks for films such as the recent tye sheridan-starring thriller ‘detour’ and alice lowe’s 2016 venice film festival opener, ‘prevenge’, have broadened their appeal further. toydrum’s signing to skint records is now announced and celebrated by ‘my eye on you (to reinvision)’, a collective interpretation of their work thus far, running the gamut from nick cave’s balladry to trentemøller’s drum & bass-tinted electronica.

limitierte pressung auf transparentem vinyl im klappcover, downloadcode und kunstdrucke inklusive.
silver eye entstand in zusammenarbeit mit einer ganzen reihe an mitstreitern: john congleton, dem grammy-dekorierten produzenten von st. vincent, john grant und wild beasts. dem elektronischen klangpionier bobby krlic alias the haxan cloak (björk). dem brian eno-kollaborateur leo abrahams. den finalen album-mix besorgten schließlich david wrench (the xx, fka twigs, caribou) und daniel miller. die ersten beiden singles sind anymore und systemagic. wer den klassischen opulenten goldfrapp-sound sucht, dem sei das finale mit ocean besonders ans herz gelegt.

standard-pressung auf schwarzem vinyl im klappcover.
silver eye entstand in zusammenarbeit mit einer ganzen reihe an mitstreitern: john congleton, dem grammy-dekorierten produzenten von st. vincent, john grant und wild beasts. dem elektronischen klangpionier bobby krlic alias the haxan cloak (björk). dem brian eno-kollaborateur leo abrahams. den finalen album-mix besorgten schließlich david wrench (the xx, fka twigs, caribou) und daniel miller. die ersten beiden singles sind anymore und systemagic. wer den klassischen opulenten goldfrapp-sound sucht, dem sei das finale mit ocean besonders ans herz gelegt.

it’s time for local talk to go local again with another swedish producer, eric ericsson. with numerous releases out in labels like planet e, fragile and freerange he’s one of those producers with one foot in the techno scene and another in the more soulful house scene. basically, he s not a one trick pony! for his release on local talk we would say he lands somewhere between classic chi-town house and thumping nyc house groove but without sounding too retro or washed out. its simply real house music! we begin with love it, a real bumpy house track with analogue basslines and swinging fender grooves that will work both stateside and in the european house clubs. the second track the chi is as the title suggest a homage to chicago with a slight old school boo williams fee. - dope! but thats not all, to give the release a broader twist we got man of the moment oskar offerman (berlin) to remix love it for us. oskar goes more deep with his trademark sound and gives us a dark mix that will sound amazing in your favourite berlin club of choice.

tiga is back to tell you what youve always needed to hear with his new single eye luv u. co-produced by one half of paranoid london, the new single harnesses all the pure source energy of what enlightened club-goers often describe as their favourite emotion. the title came to me while i was playing a pyramid that had been converted into a multi-purpose event space, says the canadian dj/producer. the hieroglyphics over what is now the coat check made me imagine a world in which pictures could mean words and words could mean anything. the thing about wordplay is that its fascinating to conceive of different realities informed by different systems of meaning, and how each reality would invariably bend to vault me to the pinnacle of all possible worlds. its humbling, really.

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

pressing on transparent, yellow & black smokey marbled vinyl.

ando laj’s international vinyl debut, collector presents us with a succinct selection of some of the artist’s most compelling early work, serving as an almost subconscious introduction.

on this record we find kit geary & israel vines (here as kgiv) exploring the subtleties of slow change within a techno track with the outstanding heady mockingbird and through the rocker from fragments. the b side features an unsung hero of american techno borrowed language veteran jeff pietro with the sonic masterpiece of his hypnotic mockingbird remix.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.